![]() ![]() This has to do in part with gaps in time and geographical distances that separate them, as well as complex feelings Gutjuk has for Travis. But while the relationship between Billy (Baykali Ganambarr) and Clare (Aisling Franciosi) felt intimately close in The Nightingale, and likewise for the friendship between Hanif (Ahmed Malek) and Mal (David Wenham) in The Furnace, a sense of distance splinters the relationship between Travis and Gutjuk in High Ground the tensions between them feel under-explored. Like The Nightingale and The Furnace – two other recent westerns that ask important questions about Australia’s past – the relationship between a white principal character and a person of colour is core to the film. The director and screenwriter seem to be held back by their fondness for Simon Baker’s character. He reunites with Travis 12 years after the event, the sharp-shooter recruiting him as a tracker after his former police chief (Jack Thompson) asks him to help hunt down another survivor, the vengeful Baywara (Sean Mununggurr). Gutjuk is one of the survivors of the massacre and is subsequently raised on a Christian mission. When on-the-run bandits and police burst into the community and wholesale murder ensues, the point has been made that this scene is not just about the destruction of a single community but of a culture, a people, a way of living. In the lead up to the first violent moment, Johnson depicts daily activities within an Indigenous community – a trio of men hunting for food, a young boy rehearsing spear motions – situated around an idyllic lake. It feels weird for a white man to convey the key philosophy of a film that explores the brutal impact of settlement, though High Ground avoids the “white saviour” trope despite coming a little too close for comfort, with several moments of heroism and sacrifice establishing Travis as the moral centre of the picture. Gutjuk takes Travis’s spiel about the high ground seriously, passing messages about how to “control and engage” on to other people. One of her other great ones is, 'You’ll be fine, honey, just don’t be yourself'.Travis (Simon Baker) and Gutjuk (Jacob Junior Nayinggul) in High Ground. "She’s pretty great at taking the piss out of me and supporting me at the same time. "She said, 'Look, honey, there’s so many crap films made these days, so what if yours is just another one? Just go and make it'," he said laughing. So I don’t need to mark it with great things."ĭuring the interview, Baker also explained how his wife supported him when he made his directorial debut for the 2017 film Breath. Most of the time, 99 per cent of the time, we’re really great friends. "We’ve never really been big on it," he told People in 2018. However, Baker has shared a few things about their marriage, like the fact that they don't celebrate their wedding anniversary. Since then, the couple have kept their relationship relatively private. " the greatest woman any man could ever hope to make a life with." "Marrying her was the best decision I ever made," Baker told The Daily Telegraph in 2015. ![]() The actors tied the knot in 1998, seven years after they first met. Since then, Baker has gone on to find fame as Patrick Jane in The Mentalist, while Rigg is best known for her roles in Fatty Finn and Ellie Parker. ![]()
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